Category Archives: Quotes

Creating Needs

Christopher Lasch, The Culture of Narcissism:

At first glance, a society based on mass consumption appears to encourage self-indulgence in its most blatant forms. Strictly considered, however, modern advertising seeks to promote not so much self-indulgence as self-doubt. It seeks to create needs, not to fulfill them; to generate new anxieties instead of allaying old ones. By surrounding the consumer with images of the good life, and by associating them with the glamour of celebrity and success, mass culture encourages the ordinary man to cultivate extraordinary tastes, to identify himself with the privileged minority against the rest, and to join them, in his fantasies, in a life of exquisite comfort and sensual refinement. Yet the propaganda of commodities simultaneously makes him acutely unhappy with his lot. By fostering grandiose aspirations, it also fosters self-denigration and self-contempt.

It reminds me of my friend Ryan’s observation that commercials are “trying to make you sad.”

Old Sage

No man appears in safety before the public eye unless he first relishes obscurity. No man is safe in speaking unless he loves to be silent. No man rules safely unless he is willing to be ruled. No man commands safely unless he has learned well how to obey. No man rejoices safely unless he has within him the testimony of a good conscience.

Thomas à Kempis

Full of Years

Jacob’s story, like David’s, is virtually unique in ancient literature in its searching representation of the radical transformations a person undergoes in the slow course of time. The powerful young man who made his way across the Jordan to Mesopotamia with only his walking staff, who wrestled with stones and men and divine beings, is now an old man tottering on the brink of the grave, bearing the deep wounds of his long life.

Robert Alter

Efficient Speech

For nearly two centuries, we’ve embraced the relentless speeding up of communication by mechanical means, believing that the industrial ideals of efficiency, productivity, and optimization are as applicable to speech as to the manufacture of widgets. More recently, we’ve embraced the mechanization of editing, allowing software to replace people in choosing the information we see (and don’t see). With LLMs, the industrialization ethic moves at last into the creation of the very content of our speech.

Nicholas Carr

Happy at Home

To be happy at home is the ultimate result of all ambition, the end to which every enterprise and labour tends, and of which every desire prompts the prosecution.

— Dr. Samuel Johnson, The Rambler, 1750

via

UPDATE – 6/26/25

Henry Wadsworth Longfellow was often visited at home by fans, many of whom wanted his autograph. He wrote a short poem and had copies made so as to have a ready supply on hand. Here’s what he wrote:

Stay, stay at home, my heart and rest.
Home-keeping hearts are happiest.
For those that wander they know not where,
Are full of trouble and full of care,
To stay at home is best.

Source

What Copyright is For

If you ask most people what copyright is for, they’ll tell you it’s about protecting artists. But that was never its goal. It was only meant to incentivise creative work by granting a temporary monopoly to its creator. By limiting control to a set period, the system was supposed to encourage production while guaranteeing that works would eventually enter the public domain for collective use. Case in point: when the US first implemented copyright in 1790 (inspired by similar laws in Britain), protection lasted just 14 years, with a one-time renewal for another 14. Early lawmakers saw copyright as a tradeoff – short-term exclusivity in exchange for long-term public access. As a federal appeals court put it in Authors Guild v. Google Inc. (2015), “while authors are undoubtedly important intended beneficiaries of copyright, the ultimate, intended beneficiary is the public.”

Elizabeth Goodspeed

AI Has Nothing to Communicate

Cory Doctorow:

As a working artist in his third decade of professional life, I’ve concluded that the point of art is to take a big, numinous, irreducible feeling that fills the artist’s mind, and attempt to infuse that feeling into some artistic vessel – a book, a painting, a song, a dance, a sculpture, etc – in the hopes that this work will cause a loose facsimile of that numinous, irreducible feeling to manifest in someone else’s mind.

Art, in other words, is an act of communication – and there you have the problem with AI art. As a writer, when I write a novel, I make tens – if not hundreds – of thousands of tiny decisions that are in service to this business of causing my big, irreducible, numinous feeling to materialize in your mind. Most of those decisions aren’t even conscious, but they are definitely decisions, and I don’t make them solely on the basis of probabilistic autocomplete. One of my novels may be good and it may be bad, but one thing is definitely is is rich in communicative intent. Every one of those microdecisions is an expression of artistic intent.

I’m reminded of Dorothy Sayers’ comments on the artistic act in The Mind of the Maker. Worth looking into.

An Ambassador from the Transcendent World

Teacher: The modern world isn’t the only world there is, though. There is another world and it is at play right now—it’s a world behind the modern world, beneath it, beyond it—and you might need to walk around in this world “for more than ten minutes” in order to understand how things work there. [This book] is an artifact from this other world, and the way I’m interpreting it for you is a skill born of this other world. Every day during class, I do my best to present this world to you—to create entrances into it, so you can spend a little time there and see “how they do things there.” But, it’s difficult.  

Student: Why? 

Teacher: Because it’s not a physical place and I can’t force you to go there. It’s an intellectual place, a spiritual place, and the only way to enter this place is to genuinely want to be there—and you have to want to be there before you fully understand what it is.  

Student: I’ve never heard anyone say anything like this before.  

Teacher: That’s because it’s a bit alarming to hear it stated in such terms, even though it’s the most accurate way of describing it. 

Student: What is it? What is this other world? Does it have a name?  

Teacher: Yes. Your world, the modern world, is the immanent world. The other world is the transcendent world.    

Student: And what’s your relationship to the transcendent world? 

Teacher: As a classical teacher, I’m an ambassador of the transcendent world. My job is to present the transcendent world to you in such a way that you’ll want to take up residence there, be naturalized, and become a subject.   

~Gibbs

Obviously a conscious choice to use “subject” instead of “citizen” in the final sentence.

Present Laughter

To be conservative … is to prefer the familiar to the unknown, to prefer the tried to the untried, fact to mystery, the actual to the possible, the limited to the unbounded, the near to the distant, the sufficient to the superabundant, the convenient to the perfect, present laughter to utopian bliss. 

Michael Oakeshott