What It Means to be Reformed

The Reformation, whether led by Luther or Calvin, was a full-fledged liturgical reformation. You didn’t just come to Geneva in the 1500’s to learn doctrine; you came to learn how to worship God. You came to be formed into a worshipping community. You were trained to sing. To sing your faith. To sing the Apostles’ and Nicene Creeds. To sing the Te Deum. To sing your prayers. To sing the Lord’s Prayer. Especially, to sing the inspired hymnbook of the Church, the Psalter. You were trained in a new manner of living fitting for the Gospel. You were trained to be incorporated into a Christian army of Psalm-singing worshipers. You came to Geneva or Wittenberg or Strasburg in the mid-sixteenth century and you experienced what Paul meant in Colossians 3:16, “Let the word of Christ richly dwell among you, with all wisdom teaching and admonishing one another with psalms and hymns and spiritual songs, singing with thankfulness in your hearts to God.” This is what it means to be a Reformation Christian. You are a singing Christian, a participant in a congregation of singing, justified believers.

Jeff Meyers, The Lord’s Service

What Dorothy Sayers Really Said: Grammar

This is the second of a series of posts about Dorothy Sayers’s essay “The Lost Tools of Learning.” I think that’s sufficient introduction for anyone who reads this blog.

Also, I’m going to call her Dottie throughout, because I want to.

The Trivium, as Dottie explains it, is a way to “teach the pupil the proper use of the tools of learning.” It means mastering a language in three stages: Grammar (the structure), Dialectic (the reasoning), and Rhetoric (the expression). So does the Trivium only apply to language? Well, yes and no. All three parts of the Trivium are language arts, but as Dottie says, “language itself is the medium in which thought is expressed.” Human beings need language to think, which means that mastering language can aid us in mastering thought itself. This paves the way for mastery in any subject whatsoever, whether geometry, music, astronomy, medicine, theology, or law. That’s the idea, anyway.

I won’t take time here to talk about whether there can be such a thing as “the grammar of math.” I know people have strong feelings about that. Instead I want to ask whether any classical Christian schools are actually following Dottie’s suggestions when it comes to the Grammar stage.

Dottie defines the Grammar stage as learning what a language is, how it’s put together, and how it works. She matches this onto what she calls “the Poll-Parrot Age,” in which “learning by heart is easy and, on the whole, pleasurable.” (Later in the essay she gives an age range of nine to eleven years old.) Many classical educators treat the Grammar stage as a time of pure memorization. “Don’t worry about whether the students understand,” they say. “They’re just gathering material.” In general, kids like to memorize stuff, so everything appears hunky-dory. Grammar—check.

But pure memorization doesn’t teach a student what language is, how it’s put together, and how it works. To do that, you must teach actual grammar. Some classical schools teach English grammar in the early years, so that students know what direct objects and subordinate clauses are before they leave elementary school. But Dottie’s actual suggestion is teaching Latin grammar. Because Latin is an inflected language, its grammar is better than English grammar for teaching “what language is, how it’s put together, and how it works.” In the Grammar stage, then, Latin should be more than chanting declensions and conjugations. Students should know what direct objects and subordinate clauses are in Latin before they leave elementary school.

Again, according to Dottie, the Trivium is a three-tier system: you must master the first stage before you ascend to the next. If you want to study Dialectic (the study of argumentation), you have to understand Grammar—which means Latin grammar. But nearly every classical school moves students to the “Logic Stage” based on age, not ability. Doesn’t that blow the entire system apart? How can a student learn to use language, to define terms and make accurate statements, to construct an argument and detect fallacies without knowing what language is, how it’s put together, and how it works? And forget about Rhetoric! How can a teenager who hasn’t mastered the structure of language and arguments to express himself well?

To be fair, Dottie is a little inconsistent here. When she describes the Trivium, she emphasizes its tiered structure (Rhetoric is built on Dialectic, which is built on Grammar). Later, when describing the “Pert Age,” she says it begins “so soon as the pupil shows himself disposed to Pertness and interminable argument” or “when the capacity for abstract thought begins to manifest itself.” These benchmarks seem more tied to a child’s psychological development than how far he’s progressed in Latin.

If the Trivium consists of three stages laid firmly atop one another, and if we follow Dottie’s definition of Grammar, a student must study enough Latin to understand “what language is, how it’s put together, and how it works” before moving on to Dialectic. How many classical schools actually operate this way?

The People Vote with their Dollars

A man (said he) who writes a book, thinks himself wiser or wittier than the rest of mankind; he supposes that he can instruct or amuse them, and the publick to whom he appeals, must, after all, be the judges of his pretensions.

Boswell’s Life of Johnson

Push In Your Chips

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We planted a couple of trees in our front yard a few weeks ago—one fig and one persimmon. The guy at the plant nursery said they were good choices for beginners since they’re tough and fruit early. (An apple tree takes years to give you anything.) “You’ll have to water it, though,” he told us, “since you’re planting so late in the year.” A small price to pay for a bushel of persimmons. So, twice a week, I give each tree enough water to fill a foot-square pan half an inch.

Planting something as permanent as a tree inevitably makes one think of the future. Google tells me fig trees can live a hundred years, a longer prognosis than I would give our house, which looks every one of its thirty-eight years old. It wouldn’t surprise me at all if the tree outlasted the house. That tree may still be standing in 2085, producing little snacks for hungry children whose parents haven’t yet been born. Or it might be cut down. We leave our work to those who come after us, and who can tell whether they will be wise or foolish?

That was the topic of an episode of the Stories Are Soul Food podcast a few weeks ago (or, as I call it, “The Nate and Brian Show”). The episode was called “The Problem of Solomon’s Inheritance,” which is a great title. The guys talked about the trap that so many successful parents fall into, that of raising kids who are completely unable to handle the success they inherit. How do we escape it? Nate’s advice was twofold: first, make sure your kids know their family history. Who were their grandparents? What did they give up to put their descendants where they are today? What risks did they run? What mistakes did they make? How did God write their lives? Tell the stories so that your kids understand that they’re playing roles in a drama that’s much larger than they are. Drama? Let’s call it a dramatic comedy, and encourage them to take pratfalls.

Nate’s second bit of advice was to be willing to risk it all. Push in your chips. Teach your sons to “risk it on one turn of pitch and toss,” as Kipling would say. You may lose it, yes, but what’s a great inheritance for, if not to back some noble wager?

Trees turn to stumps eventually, but that doesn’t mean they should never have been planted.

Ignorant of Greatness, Historically Alone

This means that typical freshmen entering college lack the texts of their potential humanity, even their spiritual survival. They will also face, possibly before they graduate, surely before they are thirty or forty, the loss of close friends or a family member, the loss of love, disappointed hopes. Ignorant of those heroes of ancient Greece, ignorant of Biblical heroes, ignorant of greatness, they will think themselves historically alone, confronting a new condition unaccompanied.

John Silber, Straight Shooting

I hope that one day even these ignorant will realize they don’t have to face the future unaccompanied. They will want, and will find, words to suit the moment.

What Dorothy Sayers Really Said

This is the first of a series of posts about Dorothy Sayers’s essay “The Lost Tools of Learning.” I think that’s sufficient introduction for anyone who reads this blog.

Also, I’m going to call her Dottie throughout, because I want to.

One of the first things Dottie does in her speech is propose “to deal with the subject of teaching,” for the purpose of producing “a society of educated people, fitted to preserve their intellectual freedom amid the complex pressures of our modern society.” Like every thirty-two-year-old academic, she aimed high, at no less than an overhaul of modern education, to correct the woefully slack thinking that ran rampant through the England of her day. She helpfully lists some examples of the problem she wants to solve:

  • People are susceptible to propaganda.
  • Professional writers fail to define their terms.
  • The average educated person can’t tackle a new subject for himself.
  • The average educated person can’t make connections across subjects.
  • Academics can’t distinguish between material and final causes.
  • Academics assume what they are trying to prove.

Serious problems, these. Worth addressing.

Here’s where things get sticky. Does the average graduate of a classical school fare any better than his public school peers when it comes to:

  • Susceptibility to propaganda?
  • Defining his terms?
  • Tackling new subjects?
  • Making connections across subjects and disciplines?
  • Distinguishing between material and final causes?
  • Begging the question? (Or misusing the phrase “begging the question?”)

I’m sure Dottie would agree that, even in her day, exceptional students avoided these pitfalls. Her proposals weren’t meant to improve the lot of the exceptional, but of the average. We’re talking about the typical CCE student, the Classical Child-Not-Left-Behind.

If average graduates of classical Christian schools routinely make the mistakes Dottie lists above, then either a) her proposal doesn’t work or b) we haven’t implemented it correctly.

Vibert

Jehan Georges Vibert was like a 19th century Norman Rockwell. Here’s his depiction of “The Committee on Moral Books”:

The Committee On Moral Books
Jehan Georges Vibert (French, 1840 – 1902)

More here.

Charles Goslin’s Advice to Designers

1 Apply the seat of your pants to a chair in a very quiet room. 

2 Focus with undivided attention. There shouldn’t be any distractions, especially no music blasting through earphones.

3 Conceptualize, conceptualize, conceptualize. Students often say they made a design because they felt like it. They too rarely say they did it because they thought it through and wanted to use THIS concept.

4 Sketch out thumbnails with a thick black marker—a pencil or pen will make your drawings too fussy. Fussy is good when refining an idea, but you can’t refine “nothing.” 

5 Ask yourself questions to help define the problem—you are your own best resource.

6 Push yourself to explore something new. There are wonderful things inside you, and if you don’t try things you’ve never done before, you will never find them. Keeping yourself off balance will help.

7 Enlarge some of your thumbnail sketches. There are times when a wonderful little fragment of a drawing is there, but you don’t know it or see it when it’s too small. Do it mechanically—on a copier or scanner. The tools are there, so use them.

8 Don’t be afraid to put stupid things down as ideas. The point is to keep moving forward—you can weed out bad ideas later.

9 Use symbols. Don’t make pictures of whatever happened—there is rarely an idea in that approach. BUT, don’t take the search for a symbol too literally by making a trademark. 

10 Be your most severe critic. The only person you ought to be competing with is yourself. Push yourself in your sketch phase. Think of it as climbing a hill with a rock on your back—it seems like you are never going to get anywhere, but what you’re actually doing is investing—in the project and in yourself.

From Guide to Graphic Design, by Scott W. Santoro, Pearson Education; it came to me via Scott W. Santoro

See some of Goslin’s designs here.